Today, we're faced with massive shifts in the environment that challenge who we are as humans. Scientists have proposed that we have left the Holocene and entered the Anthropocene, the Age of Humans, to mark the significance of our increasingly dominant role in a changing environment. But the problem right now is that we are having trouble seeing the future that is revealing itself because we continue to see it in our old ways of knowing. The books I have chosen show us the world that is coming. My hope is that, where some will resist the message of scientists, more may be swayed by writers, painters, photographers, musicians, and filmmakers.
This book is a joy to read. It tells the story of nature as it once was to help us understand what it will be. And in both cases, humans have been a central element. It changed my views about how we have been tampering with nature for a long time and how the challenges we face today have been centuries in the making. But MacKinnon left me with a message of hope, provoking me to better see our place in nature, how to work with it rather than against it, and in the process become better human beings on this wonderful planet.
From one of Canada's most exciting writers and ecological thinkers, a book that will change the way we see nature and show that in restoring the living world, we are also restoring ourselves.
The Once and Future World began in the moment J.B. MacKinnon realized the grassland he grew up on was not the pristine wilderness he had always believed it to be. Instead, his home prairie was the outcome of a long history of transformation, from the disappearance of the grizzly bear to the introduction of cattle. What remains today is an illusion of the wild--an illusion that has…
I loved this book and many times I had to stop and reflect on the world Powers was showing me. It begins with a series of seemingly separate stories and then weaves them together in fascinating and intriguing ways. Central to the story are trees, whether in the Timber Wars of the Pacific Northwest or theories of a forest scientist. Based on the work of forest ecologists Suzanne Simard and Diana Beresford-Kroeger, I learned insights on the life of trees; that they react to their surroundings and communicate through those reactions. After having read this book, I don’t think about a forest or a walk in the woods in the same way again.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of-and paean to-the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours-vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see…
In this beautifully written book, Ghosh tackles a central question that really motivates me. How do we describe the world we are changing? In answering this question, Ghosh ponders why climate change is so hard to explain; why it is so hard to write about in novels and fiction. For me, this book is a thought-provoking quest into both the need for evocative literature on this topic and the hazards of drifting into science fiction or being dismissed as alarmist non-fiction. But in his explanation of the challenges of communicating climate change, Ghosh gave me a stronger vocabulary for doing so.
Are we deranged? The acclaimed Indian novelist Amitav Ghosh argues that future generations may well think so. How else to explain our imaginative failure in the face of global warming? In his first major book of nonfiction since In an Antique Land, Ghosh examines our inability--at the level of literature, history, and politics--to grasp the scale and violence of climate change. The extreme nature of today's climate events, Ghosh asserts, make them peculiarly resistant to contemporary modes of thinking and imagining. This is particularly true of serious literary fiction: hundred-year storms and freakish tornadoes simply feel too improbable for the…
This book is a challenging read. It started as an article in New York magazine in July 2017 that became the most read article in the magazine’s history. The book begins in a similar way to the article – “It is worse, much worse, than you think.” – and then proceeds to lay out the worst-case scenarios for climate change, literally scaring the reader to death. The article provoked an excellent letters-to-the-editor discussion on whether it is responsible to do this and Wallace-Wells stands his ground, arguing that we have to give people the full scope of what kind of world we can possibly see. But as we experience increasing numbers and intensity of natural disasters, his message seems less alarmist and more a credible glimpse into our future.
**SUNDAY TIMES AND THE NEW YORK TIMES BESTSELLER**
'An epoch-defining book' Matt Haig 'If you read just one work of non-fiction this year, it should probably be this' David Sexton, Evening Standard
Selected as a Book of the Year 2019 by the Sunday Times, Spectator and New Statesman A Waterstones Paperback of the Year and shortlisted for the Foyles Book of the Year 2019 Longlisted for the PEN / E.O. Wilson Literary Science Writing Award
It is worse, much worse, than you think.
The slowness of climate change is a fairy tale, perhaps as pernicious as the one that says…
As a picture speaks a thousand words, this book packs a real punch. It is primarily a collection of exquisitely detailed photographs by Burtynsky that document human destruction of the earth on a geological scale, and essays by all three authors; and even a special contribution by Margaret Atwood. I pondered each image carefully, reflecting on what it means for our life on this planet. If you can, go see the traveling museum exhibit or the movie of the same name.
A visceral expression of humanity's incursions on the planet and an urgent cry to acknowledge humankind's responsibility
Anthropocene is a multidisciplinary body of work by Edward Burtynsky, Jennifer Baichwal and Nicholas de Pencier, which includes a photobook, a major traveling museum exhibition, a feature documentary film and an interactive educational website. The project's starting point is the research of the Anthropocene Working Group, an international body of scientists who are advocating to officially change the name of our present geological epoch, Holocene, to Anthropocene, in recognition of profound human changes to the earth's system. The AWG's research categories, such as…
This book asks a simple question: why do people reject or accept the scientific consensus on climate change? Its answer draws from the social sciences to show that, at its heart, the climate debate for many people is no longer about carbon dioxide, greenhouse gases, or climate modeling; rather, it is the product of contrasting, deeply entrenched worldviews. The models for resistance and the suggestions for overcoming that resistance in this book can be applied to any number of politicized scientific debates, from nuclear power to GMOs to COVID-19.
In a sense, these issues have become caught up in the “culture wars” and we need to develop a more scientifically literate public, a more socially engaged scientific community, and a more thoughtful mode of public discourse.
A small town in the grips of evil... a single mom with nowhere to turn... and a madman who will stop at nothing to get what he wants.
He is the Collector, and he's taking prized possessions, pets, and children, keeping what he wants, and burying his rejects in shallow graves. When he comes after Rachel Logan, an ordinary schoolteacher living on a ranch with her grandmother and her two children, she has no weapon except her wits.
But how can she stop a monster who outdoes Hannibal Lecter in cunning and depravity?
A small town in the grips of evil... a single mom with nowhere to turn... and a madman who will stop at nothing to get what he wants.
He is the Collector, and he's taking prized possessions, pets, and children, keeping what he wants, and burying his rejects in shallow graves. When he comes after Rachel Logan, an ordinary schoolteacher living on a ranch with her grandmother and her two children, she has no weapon except her wits.
But how can she stop a monster who outdoes Hannibal Lecter in cunning and depravity?
